E-mu xl-7 manual




















Trumpet FX 2 Cool Loops Sax Riff Boink Classic Hit Hits 1 Hits 2 Jax Breath Synth Orch Soul Oohs CMI Breath Breathy Tarzana Gothic Oow Vox 1 Vox 2 Strings All Dance 1 All Dance 2 Sound Track Music Crowd Lawn Mower Riff Trip Cyber Pan Groove Thing Science Under Pad FM Sci Fi Synth Siren Metal Vinyl 1 Vinyl 2 Vinyl 3 Vinyl 4 Pink White Scratches 1 Scratches 2 Kicks 1 Kicks 2 Snares 1 Snares 2 Toms 1 Toms 2 Timbales 1 Timbales 2 Congas etc 1 Congas etc 2 Hats 1 Hats 2 Cymbals 1 Cymbals 2 Shakers Maracas Bells 1 Bells 2 Blocks 1 Blocks 2 Tams 1 Tams 2 Claps 1 Claps 2 Snaps Clave Vibraslap Guiro Cowbell Agogos Misc 1 Misc 2 GM Dance Dance 1 Dance 2 Dance 3 Dance 4 Dance 5 Dance 6 Dance 7 Dance 8 Dance 9 Dance 10 Dance 11 Dance 12 Dance 13 Dance 14 Dance 15 Dance 16 Dance 17 Dance 18 Dance 19 Dance 20 Dance 21 Dance 22 Dance 23 Dance 24 Dance 25 Dance 26 Dance 27 Organ 3 Organ 4 Organ 5 Organ 6 UnisonString Unison Brass Brass 1 Brass 2 Brass 3 Brass 4 Brass 5 Brass 6 Brass 7 Brass 8 Brass 9 Brass 10 Brass 11 Brass 12 Brass 13 Brass 14 Brass 15 Brass 16 Brass 17 Brass 18 Brass 19 Brass 20 Trumpet FX 3 Trumpet FX 4 Trumpet FX 5 Sax FX 1 Sax FX 2 Sax FX 3 Blipp Buzz Blip Game Disssss Siren Loop Bell Klank Slinky Q Space Whip Short Quack Quack Ahhh Bowser Bark Chiffin CMI Hot Air L Noise Comon Vox Odd Vox Mmm Hmm Ah Hah EP Roll 1 EP Roll 2 EP Roll 3 EP Fog Fat Low Syn Bass Stab 1 Bass Stab 2 Gtr Hi Chuck Gtr UpStroke Gtr Scratch1 Gtr Scratch2 KleanGtrChuk Gtr Jangle Gtr Riff 1 Gtr Riff 2 Gtr Riff 3 Gtr FunkyHit Another Gtr Jazz Riff 1 Jazz Riff 2 Jazz Riff 3 GtrSlideRiff Gtr PopSlide Guitar Pop Chord Chuck Guitar Slide Sad Guitar Gtr Wawa 1 Gtr Wawa 2 Gtr Wawa 3 Gtr Wawa 4 Gtr Wawa 5 Gtr Wawa 6 Heavy Guitar HeavyGtrDive Drum Stab Guit On It Jazz Short Blamp Bass Slide Hip Hop Drum Stall Stalled Wind Down 1 Wind Down 2 Ripped Space Wiggle Sqweal Rev Draggit MC Fun SSSSystem 1 SSSSystem 2 Here On It Diss Bow Wow Diva Scratch Organ Blip Classic Tape Punch It Ork Tape Stop Zip Tape Pull Wild Up Away Frenzy Kick 1 Kick 2 Snare Tite Barker Plunger Skipper Fast Kick 3 Kick 4 Kick 5 Kick 6 Kick 7 Kick 8 Kick 9 Kick 10 Kick 11 Kick 12 Kick 13 Kick 14 Kick 15 Kick 16 Kick 17 Kick 18 Kick 19 Kick 20 Kick 21 Kick 22 Kick 23 Kick 24 Kick 25 Kick 26 Kick 27 Kick 28 Kick 29 Kick 30 Kick 31 Kick 32 Kick 33 Kick 34 Kick 35 Kick 36 Kick 37 Kick 38 Kick 39 Kick 40 Kick 41 Kick 42 Kick 43 Kick 44 Kick 45 Kick 46 Kick 47 Kick 48 Kick 49 Kick 50 Kick 51 Kick 52 Kick Kick 54 Kick 55 Kick 56 Kick 57 Snare 1 Snare 2 Snare 3 Snare 4 Snare 5 Snare 6 Snare 7 Snare 8 Snare 9 Snare 10 Snare 11 Snare 12 Snare 13 Snare 14 Snare 15 Snare 16 Snare 17 Snare 18 Snare 19 Snare 20 Snare 21 Snare 22 Snare 23 Snare 24 Snare 25 Snare 26 Snare 27 Snare 28 Snare 29 Snare 30 Snare 31 Snare 32 Snare 33 Snare 34 Snare 35 Snare 36 Snare 37 Snare 38 Snare 39 Snare 40 Snare 41 Snare 42 Snare 43 Snare 44 Snare 45 Snare 46 Snare 47 Snare 48 Snare 49 Snare 50 You can also use different resolutions on the same part.

You can also switch between triplet and non-triplet modes to record complex polyrhythms. This setting is NOT saved with the pattern. Page 74 16 channels of data to each track!

Page 75 Sequencer Pattern Mode Saving Patterns When you save a pattern page , the following settings are also saved as set at the moment you saved. These setting are restored just before pattern playback. Page 76 Press the Record button once to go into Realtime Record mode. Press the Repeat button illuminating the LED.

Play the Keypads or keyboard. Notes now repeat according the Input Quantize setting. Automatic Channel Assignment Whenever you change a channel, the sequencer looks for a track that is assigned to that channel. This is a very visual way to lay down a beat and it makes it easy to experiment, since you can change everything by just turning buttons on and off.

XL-7 brings a host of new features to the party. The screen shown below appears. Turn the 16 controller knobs in gate mode to adjust the gate percentage.

Depending on the settings of the envelope generators, this can have a dramatic effect on the sound. Double Time With the sequencer running, select one of the Grid positions by pressing its button. The default value is Track one. Turn Auto Increment On. This feature automatically increments the step by the selected step resolution each time you press the Play button.

Press the Preset View button. The preset screen shown below appears. Get ready to record! Set the Step Resolution to eighth notes for now 8. Select Function 1. In Pattern Mode This feature allows you to specify a subsection of a pattern to loop. In a live performance, you can specify a temporary region to loop while the pattern is playing then turn off the loop to go on to the next section. This toggles Loop on and off. To Quantize a Pattern Select the pattern. The scale function is performed before the Times shift value is added.

Press Enter. Page 96 Select a key range for thinning. The default setting is all keys. Press any other menu button to Cancel the operation. Page Transpose Select a key range. Press any other button to Cancel the operation. The Scale function is performed before the Shift value is added. Page Extend Sequence Data To Move the cursor to the lower line of the display and select the new pattern length. The following screen appears. Press Enter to cut the track.

Clipboard This function makes a digital copy of the selected track and places it on the clipboard, where it will be held until it is replaced with another cut or copy operation, or the power to XL-7 is turned off. See pages 90 and Scroll to the Paste Clipboard to Track screen shown below using the data entry control. You will not hear the results of the Paste operation Select the number of times you want the clipboard data pasted.

Press the Pattern Edit button. Scroll to the Select Track Changes screen shown below using the data entry control. Select a preset for channel 01A. Start playing! Record Channel 2 Select channel 02A. Select a preset for channel 02A. Continue to record channels. XL-7 can generate polyphonic pressure messages, but it cannot receive them. Page MSB if applicable. Select commands.

Press the Pattern Edit button to exit the Pattern Edit module. The Step record LED illuminates and the screen shown below appears. Page Sequencer Song Mode The cursor is on the lower line of the display. Turn the data entry control to select a Pattern for step one.

Page If you press Repeat at a pattern change event, the Pattern Play Event is duplicated and the linear track information is pushed forward in time. Select the desired pattern, then press Enter. Inserting Track Mutes You can enable or disable Track Mutes anywhere in the song by simply selecting them while in record mode.

The note will be erased when it comes around in the pattern. After Too much controller arranging your song using step record mode, you can mix and embellish information can clog the your song by recording continuous controllers over the top. Page Press the Song Edit button. Scroll to Erase Events and move the cursor to the lower line of the display. Select the realtime controller number from step 2. Press Enter to erase the controller data. An XL-7 Song is a one track sequence of any length.

Page Setting Meter Time Signature Set the time signature numerator value using the data entry control. Set the time signature denominator value using the data entry control. Press the Song Edit button again to exit Song Edit mode. Page Metronome Sequencer Song Edit Menu Metronome The metronome is a timing aid when recording or playing back songs and can be set to a wide variety of different beats.

Select a key range for thinning. It does NOT affect Pattern data. Page Transpose Press Enter. Move the cursor to the lower line to select a key range to be transposed. This function Clipboard makes a digital copy of the track and places it on the clipboard, where it will be held until it is replaced with another cut or copy operation, or the power to XL-7 is turned off.

Press Enter to paste the data. Press the Song Edit button to exit the Song Edit module. Press the Enter button as prompted by the display to begin editing. Page Live Performance Features XMix lets you replace tracks in the currently playing pattern with tracks from any other pattern while the pattern is playing.

Press and hold Tap, then press Play. This is the pattern you want to copy tracks from. Press Enter to lock in your Source Pattern selection. Change the track mutes as desired. Select a new pattern using the data entry control. Hold the Tap button while pressing Enter. The track mute settings of the previous pattern will remain in effect. Hold the Tap button and select a new pattern using the data entry control. Therefore, you should put your most timing-critical data on low numbered tracks.

Normally this will not be important since the sequencer timing is so good, but if you create very dense sequences, this information might be useful. Page Applications Sequencer Applications Applications These examples may help you with some common setups. The number will change to a quarter note. Press the Audition button. Recording will begin. Press Stop at the end of the pattern length.

For example, the programmable knobs and triggers are programmed in this menu. All Controllers menu data is saved with the Multisetup. See page for more information about Multisetups. See page for more information about PatchCords. Even though disconnected from the internal synthesizer, the keypad and controllers are still transmitted over MIDI. Page Footswitch Jack Function Pressing the footswitch again activates the front panel Stop button. This works well in combination with the following function.

Pressing the footswitch again invokes the Return-to-Zero function. Page Trigger Buttons 16 trigger buttons. Save the Multisetup if you want to save these settings.

Play the Trigger buttons. Pressing one of the trigger buttons in pattern select mode causes the programmed pattern Select to be armed. The armed pattern will begin playing at the next loop.

Its LED will illuminate. Turning a knob while in this screen automatically selects that knob for programming! Footswitches numbers are from Destinations Assign for the footswitch controllers are programmed in the PatchCord section of the Preset Edit menu. For example, changing the Master Tune parameter changes the tuning of all the presets, not just the one currently displayed.

The Global Menu screen displays the menu page most recently selected since powering up XL Page Multisetups From the Global menu, scroll to the Restore Multisetup screen using the data entry control. The menu page most recently selected since powering up XL-7 will be displayed. Page Multisetup Name Global Menu Multisetups Press either cursor button to move the cursor to the bottom line of the screen.

Now, use the data entry control to select a Multisetup. Press the Enter button to load the selected Multisetup. Multisetup Name Multisetups can be named to make it easier to remember their purpose. These specially designed curves allow you to customize the dynamic feel of the pads to your individual playing style, or to better adapt XL-7 to a external MIDI controller. The following effect types are available. The diagram below shows how an adapter cable for AES pro should be wired.

Always use high quality cable for To AES You can merge MIDI data, change the continuous controller assignments, turn program changes off or on, and lots more. MIDI menu settings are saved with the current Multimap. To record multiple tracks, you simply change the track number and preset. Transmits the entire Controllers menu. You must select multi mode for multitimbral operation.

Page Programming Basics Programming Basics This chapter explains how XL-7 sounds are constructed and contains important background information on how to create your own custom presets. Page Modulation such as Pitch or AmpVol. In the previous example, an envelope generator Sources was routed to automatically turn the volume control as programmed by the envelope, or, a low frequency oscillator could be routed to turn the volume control up and down in a repeating fashion.

It continues to loop through these four stages until the key is released where it immediately jumps to the Release 1 stage. The LFO Frequency waveforms are shown in the following illustration. Oscillators Ra nd o m Tr i a ng l e Page Modulation Destinations LFOs, envelope generators and modulation wheels output continuously changing values.

Multiple sources can control the same destination, or a single source can control multiple destinations. Page Modulation Processors Programming Basics Modulation Processors Modulation Modulation processors are devices which can modify modulation sources such as LFOs and envelope generators before they are applied to a desti- Processors nation.

Modulation processors let you create patches and do tricks which would not be possible otherwise. These modulation processors are indepen- dently programmable on each of the four layers. Page Lag in destination. The summing amp is located before where you want to control a the lag processor as shown in the following illustration. It is important to understand Modulation that although the preset processors originate at the Preset Level PatchCords, Processors their output is used in the Layer PatchCords.

Page Perc. Amt - When this knob is turned up, the positive bias on the Amp The decay time increases as the is restored so that so that the Ramp can now affect Amp Volume.

Modulation processors are designed according to this modular concept. Page Setting the DC value to a positive value would bring the velocity switch point down. The PatchCord screens for this patch are shown below. Page You can start to see some of the possibilities and there are many. A sine wave is the simplest form of sound wave.

The three parameters are: Bandwidth, Frequency and Gain. Great synth with loads of quality analogue sounds.

Gold, Amber, Red, White or Blue characters on black background. Buying format see all. White characters on blue background. The Proteus FX has a full range of internal diagnostics, but. Included in the sale. Let me know if you have any questions. If you check out using this option, this will be the only option. By using our services, you agree to our use of cookies. Emu Morpheus oled display.

Mo Phatt, Xl-7,MP-7 and the original pk6 sound card. It is a 1U rack sound module with superb sound quality and exceptional multi-mode filters. The manual is clear and sufficient, the effects are played directly on dedicated knobs knobs that many effects SOUNDS The sounds are nice, but not editable, so apart from playing on the cutoff is quite difficult to do what we want.

For parts or not working. The Proteus is a reincarnation of the economic Proteus rack module series of the early nineties.



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